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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"1986" Self-portrait</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Myfanwy Spencer Pavelic</text>
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        <name>VRA Core</name>
        <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
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            <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
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                <text>Self portrait of Myfanwy Pavelic. Upper torso shown, looking directly at viewer, leaning against nondescript feature with glasses dangling from her fingers.</text>
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            <name>Date</name>
            <description>Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical.  In format yyyy-mm-dd yyyy-mm-dd.</description>
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                <text>1986</text>
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            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
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                <text>Graphite on paper</text>
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            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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                <text>48.90 x 60.01 cm</text>
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            <name>Cultural Context</name>
            <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
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                <text>Canadian</text>
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        <name>artist</name>
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        <name>myfanwy</name>
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        <name>portrait</name>
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        <name>self-portrait</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Coming of Age</text>
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              <description>The topic of the resource</description>
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                  <text>Coming of Age</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>VRA Core</name>
        <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
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            <name>Measurements</name>
            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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                <text>18.7 x 12.8 cm</text>
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            <name>Style Period</name>
            <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
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                <text>Contemporary 1950 -</text>
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            <description>Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical.  In format yyyy-mm-dd yyyy-mm-dd.</description>
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                <text>1965-1977</text>
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            <name>State Edition</name>
            <description>The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work.</description>
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                <text>Fine Art</text>
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            <name>Worktype</name>
            <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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                <text>Photograph</text>
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            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
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                <text>Portrait</text>
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            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
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                <text>Gelatin Silver Print</text>
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            <name>Cultural Context</name>
            <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
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                <text>British Columbia, Canada</text>
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            <name>Subject</name>
            <description>Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.</description>
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                <text>Victoria, Vancouver, long hair, boy, hat</text>
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            <name>Description</name>
            <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
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                <text>A teenage boy with long hair, wearing a hat and a jacket with fringed pockets, stands in front of a brick wall.</text>
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            <name>Source</name>
            <description>A reference to the source of the information recorded about the work or the image.</description>
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                <text>Gift of Nina Raginsky</text>
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            <name>Location</name>
            <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
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                <text>University Centre &gt; Basement &gt; A005 &gt; P3 &gt; P3.2 &gt; Box 3 Tray 4				 			 				 	</text>
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            <name>Rights</name>
            <description>Information about the copyright status and the rights holder for a work, collection, or image</description>
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                <text>Image Permission: Copyrighted. Permission Granted.</text>
              </elementText>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Adolescent Boy with Long Hair, Cowboy Hat, and Fringed Jacket</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Raginsky, Nina</text>
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        <name>hat</name>
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        <name>photograph</name>
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        <name>portrait</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Experience</text>
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              <description>The topic of the resource</description>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>VRA Core</name>
        <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
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            <name>Measurements</name>
            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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                <text>30.7 x 26.5 cm</text>
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            <name>Style Period</name>
            <description>A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image.</description>
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                <text>Contemporary 1950 -</text>
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          <element elementId="56">
            <name>Date</name>
            <description>Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical.  In format yyyy-mm-dd yyyy-mm-dd.</description>
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                <text>1975</text>
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            <name>State Edition</name>
            <description>The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work.</description>
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                <text>Fine Art</text>
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          <element elementId="70">
            <name>Worktype</name>
            <description>Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record.</description>
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                <text>Photograph</text>
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            <name>Technique</name>
            <description>The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image.</description>
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                <text>Portrait</text>
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            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
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                <text>Photo Emulsion</text>
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            <name>Cultural Context</name>
            <description>The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated.</description>
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                <text>British Columbia Canada</text>
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            <name>Subject</name>
            <description>Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.</description>
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                <text>photograph, portrait, black and white, artist, Indigenous</text>
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            <name>Description</name>
            <description>A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories.</description>
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                <text>Portrait of Agnes George holding a bowl. She is looking downward into the bowl - appearing as though she is saying something. Photographed indoors.</text>
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            <description>A reference to the source of the information recorded about the work or the image.</description>
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                <text>Gift of Ulli Steltzer</text>
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            <name>Location</name>
            <description>The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image.</description>
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                <text>MCPHERSON LIBRARY &gt; The Maltwood Prints and Drawings Gallery at McPherson Library Rm027 &gt; CD &gt; S4 &gt; B1					 				 				 	</text>
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            <description>Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository.</description>
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                <text>Image Permission: Copyrighted: Permission Granted.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Agnes George</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>&lt;a href="http://lifestories.uvic.ca/items/show/184"&gt;Steltzer, Ulli&lt;/a&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Beginnings</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>A name given to the resource</description>
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                <text>Astrolabe</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Artist Unknown (Astrolabe Makers of Lahore, Pakistan)</text>
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        <name>VRA Core</name>
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            <name>Source</name>
            <description>A reference to the source of the information recorded about the work or the image.</description>
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                <text>Private collection of Dr. Munazzah Akhtar</text>
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            <name>Material</name>
            <description>The substance of which a work or an image is composed.</description>
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                <text>brass</text>
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            <description>The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time.</description>
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&#13;
Living with HIV for the past 20 years, the self taught Joe Average has earned international recognition as an advocate for AIDS, an artist, and a noted philanthropist. His art was featured on a 1996 Canadian Stamp which was also the conference image for the 1996 XI International Conference on AIDS.&#13;
&#13;
In 1998 Joe was recognized by the Governor General of Canada with the Caring Canadian Award. The City of Vancouver bestowed him with a Civic Merit Award in 1994. He was the recipient of a 1993 Jessie Award, and has been officially presented to Prince Charles and the late Princess Diana at Rideau Hall. Other honours include, The Canadian Institute of the Arts for Young Audiences Award, Xtra West Magazine’s Heroes of 1996 Award, and in 1997 the Friends for Life Society honored him with the Friend In Deed Award. Joe most recently won the Davie Street Banner Competition.&#13;
&#13;
Source: Van Dop Gallery http://vandopgallery.com/joe-average/</text>
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Balma is a self-taught visionary mixed media artist whose work has been described as: authentic, original, nave/outsider, singular, primitive, surreal, psycho-realist, classical, cosmic pop, unique.&#13;
&#13;
Source: Saatchi Art</text>
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              <text>Maxwell Bates was born in Calgary on December 14, 1906.&#13;
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&#13;
In 1931, Bates went to England to study painting and architecture. From 1932 to 1939, he was a member of the "Twenties Group". When World War II broke out, he enlisted with the British Army; he served from 1940 to 1945.He was imprisoned and his book A Wilderness of Days describes his experience. After the War ended, he returned to Calgary for a short time. In 1949 he attended the Brooklyn Museum Art School, until 1950.&#13;
&#13;
Bates collected Japanese colour prints. He also developed an interest in the philosophy of art, and wrote a series of articles about it in "Canadian Art" and other periodicals. His drawing was influenced by Michelangelo and Rembrandt, and his painting by Goya, Daumier, J.L. Forain, and post-impressionism. His street scenes, landscapes, still lifes are romantic. He primarily worked with oil, watercolour, chalk, and pen and ink. He also produced lithography. Bates, with A.W. Hodges, co-designed St. Mary's Cathedral in Calgary. He was also a member of the Royal Canadian Academy of Art .&#13;
&#13;
He passed away in Victoria in 1980.</text>
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              <text>Exhibitions: Maxwell Bates: The Crossroads of Expressionism, February 2004 - June 2006, Edmonton Art Gallery and Art Gallery of Greater Victoria.&#13;
Maxwell Bennett Bates ~ [1906-1980] Canadian ASA, CGP, CSPWC, RCA&#13;
see Maxwell Bates, Retrospective Exhibition, by R.Bloore, Norman Mackenzie, 1961; Maxwell Bates, by C.Graham, AGGV, 1966; Maxwell Bates, by F.Eckhardt, WAG, 1968; Maxwell Bates, in Retrospect, by T.Guernsey, VAG, 1973; Maxwell Bates, A Retrospective, by I.Thom, AGGV, 1982; Maxwell Bates: Landscapes 1948-1978, by N.Townshend, Medicine Hat Art Gallery, 1982; Maxwell Bates, Biography of an Artist, by K.Snow, U. of Calgary Press; Maxwell Bates: Canada's Premier Expressionist of the 20th Century, by N.Townshend, 2005; wrote and illustrated A Wilderness of Days, by Maxwell Bates, Sono Nis Press, 1978; biography in Benezit, Tome 1, pg.506.</text>
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                <text>&lt;a href="http://lifestories.uvic.ca/items/show/261"&gt;Pimentel, Frank&lt;/a&gt;                           </text>
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                <text>Gift of Dr. Paul Marvin</text>
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                <text>Gift of Josephine Utley</text>
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                <text>Image Permission: Copyrighted. Permission Granted.</text>
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                <text>		 			 				 	</text>
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                <text>&lt;a href="http://lifestories.uvic.ca/items/show/id/183"&gt;Utley, Windsor&lt;/a&gt;</text>
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        <name>monochrome</name>
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        <name>spiral</name>
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        <name>wispy</name>
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          <name>Birth Date</name>
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              <text>16--?</text>
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                <text>Bolognese, Giovanni</text>
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