9 10 145 https://lifestories.uvic.ca/files/original/8f9e1d2e91a702316fb7acfb55267c3e.jpg 89304bb43bd353c531c52b882f22bebc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Tibetan Silver Prayer Wheel VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 29 x 7 x 7 cm. Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Western Modern 1900-1950 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. Early 20th C. Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Metal wood Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Metalwork Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Western Modern 1900-1950 Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Silver mounted prayer wheel. Has cylindrical top with chesed design and detachable finial, all supported by a turned wood handle. Rights Information about the copyright status and the rights holder for a work, collection, or image Unknown Source A reference to the source of the information recorded about the work or the image. Brown, Dr. Bruce L. and Mrs. Dorothy E. Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > K2 > K2.1 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Functional Art https://lifestories.uvic.ca/files/original/b73dfd954815180289fccad4e847995d.jpg a32236ffd79733cfe1005772ab6f2d07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Abstract Building) Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/186">Cantieni, Graham</a> VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Architectural drawing resembling an abstracted temple consisting of a rectangular base and two sides that slope inward with a triangular roof. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1984 Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Contemporary 1950 - Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Drawing; charcoal Material The substance of which a work or an image is composed. charcoal on paper Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. 72.5 x 93 cm. Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Australian, Canadian Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. FRASER BUILDING > Law Library > 2nd floor > 201J Source A reference to the source of the information recorded about the work or the image. Gift of Graham Cantieni https://lifestories.uvic.ca/files/original/e284096cab6997ca7d712934d2639008.jpg e2cf2b637da020b8cb2a94c47ba12883 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Doorway) Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/186">Cantieni, Graham</a> VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Charcoal drawing of dark doorway with stairs and sharp corner walls. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1984 Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Western Modern 1900-1950 Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. drawing, charcoal Material The substance of which a work or an image is composed. charcoal on paper Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Australian, Canadian Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. Legacy Gallery > Basement > Vault > R2 Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 44.5 x 58.5 cm. Source A reference to the source of the information recorded about the work or the image. Gift of Graham Cantieni https://lifestories.uvic.ca/files/original/135d1707160058f9c7d944cb7fd7b44f.jpg 52203ebff8202678ff1968e81661b5a9 https://lifestories.uvic.ca/files/original/e6016100f9fe669800927873fa3935d9.jpg 7e27281017c8b02e7a05044e694ea4aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Chinese Incense Burner) Creator An entity primarily responsible for making the resource (Artist Unknown) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Three legged bronze incense burner would round body. Opening curves outward and two arms extend above the opening. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. n.d. (1368­-1644) Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. China MING 1368­1644 Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Bronze Material The substance of which a work or an image is composed. Metal, bronze Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 21 x 23 x 14.5 cm. Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. China Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. QUEENSWOOD > UVAC Storage vault > Wall I > I1 > Metal 3 Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood https://lifestories.uvic.ca/files/original/2e2291c3ccaebe236f65c1cbe82eca44.jpg 91b6baaae60f0bfb1db7d5323ca0ffec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Bronze Head) Creator An entity primarily responsible for making the resource Artist Unknown VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Bronze head sitting on wooden stand. Head appears to be broken off full statue at the neck. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. n.d. Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Bronze Material The substance of which a work or an image is composed. Bronze Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 6.5 x 6.5 x 18.5 cm. Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Thailand Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. QUEENSWOOD > UVAC Storage vault > Wall I > I4 > Metal 4 Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Person An individual. Biographical Text <p>Kay Fallows Hargreaves is a UVic Visual Arts alumna (1969) and a B. Ed (UBC 1974). A founding member of the "Studio Group" she worked with Jan Zach and Herbert Siebner. 1981-83 directed the "Fallows School of Fine Art" and taught at Camosun College for 13 years. Her work is also held at the Art Gallery of Greater Victoria where she had a solo exhibition in 1970.</p> <blockquote>In the series “Creation”, it is the paradox, a nervous line that hovers momentarily between micro and macro cosmos, between life and death, between past and present, coupled with choice, those footprints left through time in man’s history, that form the essence of my “colour metaphors”.</blockquote> <span style="float:right;">-- Kay Fallows Hargreaves, 1981</span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hargreaves, Kay Fallows https://lifestories.uvic.ca/files/original/6bb6b3d8ebc758d53d5260e32146fed7.jpg c3e6122016ed0835a8f1bb5216adf212 Person An individual. Birth Date 1920 Death Date April 8, 1989 Biographical Text Windsor Utley was an accomplished American artist, musician, teacher and gallery owner. Born in Laguna, California in 1920, Utley attended Pomona College and the University of Southern California. A classically trained flautist, he moved to the Pacific Northwest in the early 1940s to perform with the Tacoma Symphony in Washington. Utley did not begin painting until he was 19 years old. He was influenced by Mark Tobey and later Kandinsky in New York. He entered and was accepted into the 1944 Annual Exhibition of Northwest Artists at the Seattle Art Museum and later that year won first prize in the Tacoma Watercolor Exhibit. Utley later became the head of the art department at Cornish College of the Arts in Seattle. Windsor Utley has been celebrated as a member of the Northwest School, but lived at times in California, Washington, New York, and Canada. He also spent two years in Italy, living and working in Siena and Florence. He opened Utley's Art Galleries in Seattle in 1966, then in Victoria, British Columbia in the 1970s. He moved the galleries to Laguna Beach, California in 1983 and re-opened them in Seattle in 1987. Windsor Utley died in Seattle on 8 April 1989 aged 69. His work is in many private and public collections including the Seattle Art Museum, British Columbia Provincial Collection, Victoria, Duveen-Graham Gallery, New York, Virginia Museum of Fine Arts, Richmond and the University of Washington. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Utley, Windsor https://lifestories.uvic.ca/files/original/67359a738d413c13bfdefc2a2bf55d53.jpg 648c4c0cd5cc42fbfc3e2dbd9ed33e10 Person An individual. Birth Date 1924 Birthplace Frankfurt, Germany Death Date July 27, 2018 https://vancouversun.com/news/local-news/obituary-ulli-steltzer-photographer-with-a-social-conscience Biographical Text A native of Frankfurt, Germany Ulli Steltzer emigrated to the United States in 1953. She taught music in Massachusetts, then worked in a photo lab in New York. She opened a photo studio in Princeton, New Jersey and began photographing migrant workers for the Department of Labor and Industry which lead to other assignments focusing on the rural and urban poor, and assignments for Time magazine. In 1972, she moved to Vancouver and began producing photographic books about Canadian native peoples in the Arctic and B.C., Mayans in Guatemala and new immigrants to California. Her work has been widely exhibited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steltzer, Ulli https://lifestories.uvic.ca/files/original/2731a528af835fa96ecb92a17387484a.jpg eb87d6174f3fdc0caa3fcb37c9c7567a Person An individual. Biographical Text Eva Campbell was born in Ghana to a Ghanaian mother and a Barbadian father and spent her childhood in Barbados and Jamaica. She studied painting at the College of Art in Ghana (BA) and the University of Victoria (MFA). Eva has had numerous art exhibitions in Canada, the United States, Ghana, Barbados and Britain. Currently she is the visual arts teacher at Lester B. Pearson College of the Pacific in Victoria, British Columbia, where she enjoys sharing her knowledge with students from around the world. For further information about Eva, visit <a href="http://www.evacampbell.ca">evacampbell.ca</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Campbell, Eva https://lifestories.uvic.ca/files/original/f0bf6541a1034a19806f357daea17d9d.jpg c16b733cd621b162be67463b6a8bd02e Person An individual. Birth Date 1938 Birthplace Albury, Australia Biographical Text Graham Cantieni, an Australian painter, draughtsman, and sculptor, was born in Albury, Australia in 1938. After completing a degree in education in 1958, Cantieni moved to Canada in 1968. Starting in the 1970s, he participated in numerous exhibitions both in Canada and abroad. After earning a master’s degree in art history at Concordia University (1987), he taught at the Université du Québec à Trois-Rivières from 1989 to 2003. His paintings, drawings, and sculptures are in various collections, including those of the Musée d’art contemporain de Montréal, the Musée d’art de Joliette, and the Musée national des beaux-arts du Québec. He currently lives and works in Montréal. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cantieni, Graham