8 10 145 https://lifestories.uvic.ca/files/original/6c6705a91a95aec440914269aecbb236.jpg e426a5e54a5ac9e3141b9674f51c7c38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 122.3 x 152.5 cm Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Contemporary 1950 - Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1965 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Fine Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Painting Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Oil Material The substance of which a work or an image is composed. Oil on canvas Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. British Columbia, Canada Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. parade, graveyard, figures Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. A large canvas in a wooden frame. A graveyard is indicated by a black fence, gray crosses and flat gray grave markers. On the right side of the canvas a spotted brown donkey pulls a covered wagon. This wagon has 'fortune' and 'palmistry' written on the side. Inscription All marks or written words added to the object at the time of production or in its subsequent history, including signatures, dates, dedications, texts, and colophons, as well as marks, such as the stamps of silversmiths, publishers, or printers. Maxwell Bates: Retrospective,' Art Gallery of Greater Victoria, March 1982 (Ian Thom, curator). 'The Art of Music' Maltwood Art Museum & Gallery.(28/03/2001) - (30/04/2001) 'Maxwell Bates: The Crossroads of Expressionism' Art Gallery of Greater Victoria, Edmonton Art Gallery, Nickle Arts Museum, and Mendel Art Gallery. (15/01/2004) - (30/07/2006) Source A reference to the source of the information recorded about the work or the image. University of Victoria Acquisition Fund Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > F4 Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Image Permission: Copyrighted. Permission: Granted. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parade in the Graveyard Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/110" target="_blank" title="Artist Biography: Maxwell Bates" rel="noreferrer noopener">Bates, Maxwell</a> figures graveyard parade https://lifestories.uvic.ca/files/original/7ef5a0bd5d1b4ff930e587f0a786e24b.jpg f598678e8c66b121b1eaa3714ea67ee3 Person An individual. Birth Date 1916 Birthplace Victoria, BC Death Date 2007 Occupation Artist Biographical Text MYFANWY PAVELIC was born and raised on Vancouver Island. She had little formal art training, but at the age of 15 an exhibition was arranged for her by Canada's foremost West Coast painter, Emily Carr. Pavelic's love of music and talent as a musician attracted her to the career of a concert pianist but when a problem with her wrists barred further development in this field, she turned her creativity to drawing and painting. For several years she spent part of each year in New York. Here she observed the changing climate of the international art world. She experimented with abstract expressionism but finally reaffirmed her commitment to her own evolving figurative style. She has worked in oil and acrylic and has successfully experimented with tissue collage. Charcoal, one of her favourite media, has been used for both prepatory sketches and finished drawings. For most of her career, Pavelic focused on the human figure; she is renowned for her portrait paintings. Local and international personalities have come to her Saanich studio for sittings, from Maxwell Bates and her fellow artists of the Victoria "Limners" group, to former Canadian Prime Minister Pierre Elliott Trudeau. However, the music world remained a constant interest. Its creative personalities provided her with much subject matter for her paintings and sketches. These people included Mstislav Rostropovich, Paul Badura-Skoda, Glenn Gould, Jan Cherniavsky, Zara Nelsova, Ravi Shankar and her close friend, actress Katharine Hepburn. Pavelic's now well-known portrait of Yehudi Menuhin was commissioned by Lord Thompson for Fleet for Britain's National Portrait Gallery in 1984. Pavelic was awarded the Order of Canada, was a member of the Royal Canadian Academy and held an Honorary Doctorate of Fine Arts from the University of Victoria. She died in Victoria on May 7, 2007. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pavelic, Myfanwy Spencer artist myfanwy pavelic victoria https://lifestories.uvic.ca/files/original/0476abe3cf6c69aa35ba4f3e27ad2fbe.jpg 143bd052ed9f4f5c625a1fcff9fa41cf Person An individual. Birth Date May 12, 1917 Death Date March 6, 2012 Bibliography Renowned Crow artist Winona Plenty Hoops was known for her traditional doll making and beading. She was the last member of the Crow Tribe to fashion her own buckskin, from tanning to a finished product. Winona was the first Crow woman to have a handmade doll displayed in the Smithsonian Museum. She was named a master artist in 1994 by the Montana Arts Council. Her work has even been purchased by the Smithsonian Institution. The Apsáalooke (also known as the Absarokee), or Crow as they have been formally known, are located on the Northwest Plains and are part of the collective group of Sioux Nations. The Mountain Crows in southern Manitoba and northern Wyoming and the River Crows of the Missouri and Yellowstone Rivers are the two main bands. The Crow peoples are well-known for their quillwork and beadwork. The University of Victoria's Art Collection has an amazing set of of dolls by Crow artist Winona Plenty Hoops. There are also two beautifully detailed and beaded contemporary Crow cradleboards. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plenty Hoops, Winona https://lifestories.uvic.ca/files/original/06e51a312412ddf8f046626965b6a8f0.jpg df7660a348e4c62fb38e13335333ab02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coming of Age Subject The topic of the resource Coming of Age Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 88.9 x 63.5 cm Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Contemporary 1950 - Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1937 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Fine Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Painting Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Painting Oil Material The substance of which a work or an image is composed. Oil on canvas Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. British Columbia, Canada Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. portrait, girl, Indigenous Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Portrait of a female youth wearing a pink shirt and blue skirt. Her hair is done in two long braids and she is holding small yellow flowers in her hands. The figure is seated at the edge of a lake. The background shows a lake and trees, several of which have been cut down. Source A reference to the source of the information recorded about the work or the image. Gift of Dr. Myfanwy Spencer Pavelic Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > E2 > E2.1 Rights Information about the copyright status and the rights holder for a work, collection, or image Image Permission: Copyrighted. Permission Granted. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/112">Pavelic, Myfanwy Spencer </a> girl Indigenous portrait https://lifestories.uvic.ca/files/original/6ec1c7498ece48fbb99bc1a4b992d756.jpg 872ce01bf1d3ef746a2ac755392ba9bb Person An individual. Birth Date April 14, 1941 Birthplace Montreal, Quebec Biographical Text <p>Born in Montreal, Quebec, Nina Raginsky received a Bachelor of Arts degree from Rutgers University in 1962. While at Rutgers she studied painting with Roy Lichtenstein, sculpture with George Segal and Art History with Allan Kaprow.</p> <p>From 1963 to 1981, she was a freelance photographer with the National Film Board of Canada. After spending a year in Mexico, she returned to Canada in 1968 and began a project recording remote life in the Yukon and First Nations communities in British Columbia. The following year, she became an assistance curator of education at the Vancouver Art Gallery until 1972. She then began a series of photos documenting the city and people of Vancouver, Victoria, and British Columbia. Between 1972 and 1981, Raginsky was an instructor at the Emily Carr College of Art, formerly Vancouver School of Art. </p> <p>She was made an Officer of the Order of Canada in 1985. She is a member of the Royal Canadian Academy of Arts.</p> <p>[Source: Legacy Galleries and Wikipedia entry: Nina Raginsky]</p> <p>Raginsky makes her home on Salt Spring Island and was recognized nationally in 2015 for her contributions to photographic art by having a postage stamp made of one of her best known Vancouver photos: <a href="https://www.canadianpostagestamps.ca/stamps/18581/shoeshine-stand-by-nina-raginsky">Shoeshine Stand.</a> [Source: <a href="https://vanasitwas.wordpress.com/2017/02/20/nina-raginskys-lip-grant-images/">Vancouver As It Was: Nina Raginsky's Lip Grant Images</a></p><p></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raginsky, Nina https://lifestories.uvic.ca/files/original/9ba4d5649e9b3621af2c28df7a92c8e3.jpg 48d7c3fa443f246d716ad693f94c7e80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maturity Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reciprocal Duties of Parents and Children Creator An entity primarily responsible for making the resource Taylor, Mrs. Anne VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1818 Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 17 cm https://lifestories.uvic.ca/files/original/25406d91e83df99e5f9f58ab95f6271d.jpg ff4b455b2a62669b61362a17eb3a70ea https://lifestories.uvic.ca/files/original/c4e9e647801b0dac833cb7c5dcf8cb9b.jpg b8840c4a94f27f805bddd043c88180ef https://lifestories.uvic.ca/files/original/9ee08b9a2a102b3b4f2ae33e179ed26e.JPG ed73f720f0274ce0758b366df9d6c94f https://lifestories.uvic.ca/files/original/b4ebf4190dc7d1e70ee16baf1780dd05.JPG 4ba0fffe1bf959c79ecbe7994584d953 https://lifestories.uvic.ca/files/original/dc4ac89bce60e1b6feadfae7a7d9c0a5.JPG fca25ea8a6c557d3de44e0af83236b66 https://lifestories.uvic.ca/files/original/95ac10d65f5dd675ce0ea26d4e8357aa.JPG 8c836773a16969eae25a036352c6e7fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bed Room Subject The topic of the resource Probing conceptions of the bed as a site of life stories: conception, birth, security, sex, convalescence, death. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Related Repose Subject The topic of the resource Installation by Elly Heise, MFA Creator An entity primarily responsible for making the resource Elly Heise, MFA Date A point or period of time associated with an event in the lifecycle of the resource 2020 VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 2020 https://lifestories.uvic.ca/files/original/ad352cfacd4c739bc0eb57c5eea5e4a6.jpg 1ea9d4c9f3a2bf19a364666c1cca694c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Experience Subject The topic of the resource Experience Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 145 x 176 cm Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1983 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Fine Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Painting Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Painting Oil Material The substance of which a work or an image is composed. Oil on canvas Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. figure, man, bedroom, bed, mattress Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. This painting is of a man sitting on a bed. He is wearing a white t-shirt and socks, black boots, and a green jacket over his knees. He is smoking a cigarette. His mattress is sagging and his green blankets are pulled to the end of the bed. The walls of the room are shabby with holes and scratches in them. Pinned to the wall is a picture of a nude woman and a framed picture of Jesus. Inscription All marks or written words added to the object at the time of production or in its subsequent history, including signatures, dates, dedications, texts, and colophons, as well as marks, such as the stamps of silversmiths, publishers, or printers. 'Regarding Wealth' Legacy Art Gallery, Feb 22 to May 2, 2010. The Williams Legacy: Contemporary Art of the Northwest Coast' August 25-October 10, 2003 in the Maltwood Gallery, September 2-28, 2003 in the Fran Willis Gallery and Swans Hotel. This piece Swans Hotel. 'Paint' exhibition at the Vancouver Art Gallery, September 30th, 2006 - April 1, 2007. Source A reference to the source of the information recorded about the work or the image. Gift of the Estate of Michael C. Williams Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > A2 Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Image Permission: Copyrighted. Permission: Granted Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Retired Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/205">Marshall, Vicky</a> bed bedroom figure man mattress https://lifestories.uvic.ca/files/original/f3ea1df70cb47ddd4e14a0530d12eeaa.jpg e174ed02f3fb0af7e933138c8e9a0b50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beginnings Subject The topic of the resource Beginnings Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 9 x 8 x 6 cm Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1890 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Functional Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Metalwork Material The substance of which a work or an image is composed. silver Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Russia Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. silverware, mug, Brown, Russian, christening Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Silver Christening Mug. Engraved with gilt interior. Engraving consists of leaves and flowers. Source A reference to the source of the information recorded about the work or the image. Gift of Dr. Bruce L. and Mrs. Dorothy E. Brown Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > K3 > K3.1 Rights Information about the copyright status and the rights holder for a work, collection, or image Image Permission: Not Copyrighted (artist deceased 50+ years) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Russian Silver Christening Mug Creator An entity primarily responsible for making the resource Unknown 19th Century christening mug Russia silver silverware, mug, Brown, Russian, christening https://lifestories.uvic.ca/files/original/d2df584fbe817fd0370d6d6ea323553b.jpg 21f0fd4f6002e7cdf44d1efadade97f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maturity Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Shoes (Chinese Woman's) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 6 x 23 x 7 cm. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. n.d. Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Silk leather glass Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Textile Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Blue silk shoes with black cord trim and stylized flower beadwork across toe lining in blue printed cotton leather sole with brass nails on heel Rights Information about the copyright status and the rights holder for a work, collection, or image Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Chapman, Jane Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > Q1 > Q1.1 > Box 4 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Decorative Art