6 10 145 https://lifestories.uvic.ca/files/original/09b0e52cae317de3f2d912679f2ee02e.jpg f598678e8c66b121b1eaa3714ea67ee3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "1986" Self-portrait Creator An entity primarily responsible for making the resource Myfanwy Spencer Pavelic VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Self portrait of Myfanwy Pavelic. Upper torso shown, looking directly at viewer, leaning against nondescript feature with glasses dangling from her fingers. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1986 Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Graphite on paper Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 48.90 x 60.01 cm Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Canadian artist myfanwy portrait self-portrait https://lifestories.uvic.ca/files/original/7ef5a0bd5d1b4ff930e587f0a786e24b.jpg f598678e8c66b121b1eaa3714ea67ee3 Person An individual. Birth Date 1916 Birthplace Victoria, BC Death Date 2007 Occupation Artist Biographical Text MYFANWY PAVELIC was born and raised on Vancouver Island. She had little formal art training, but at the age of 15 an exhibition was arranged for her by Canada's foremost West Coast painter, Emily Carr. Pavelic's love of music and talent as a musician attracted her to the career of a concert pianist but when a problem with her wrists barred further development in this field, she turned her creativity to drawing and painting. For several years she spent part of each year in New York. Here she observed the changing climate of the international art world. She experimented with abstract expressionism but finally reaffirmed her commitment to her own evolving figurative style. She has worked in oil and acrylic and has successfully experimented with tissue collage. Charcoal, one of her favourite media, has been used for both prepatory sketches and finished drawings. For most of her career, Pavelic focused on the human figure; she is renowned for her portrait paintings. Local and international personalities have come to her Saanich studio for sittings, from Maxwell Bates and her fellow artists of the Victoria "Limners" group, to former Canadian Prime Minister Pierre Elliott Trudeau. However, the music world remained a constant interest. Its creative personalities provided her with much subject matter for her paintings and sketches. These people included Mstislav Rostropovich, Paul Badura-Skoda, Glenn Gould, Jan Cherniavsky, Zara Nelsova, Ravi Shankar and her close friend, actress Katharine Hepburn. Pavelic's now well-known portrait of Yehudi Menuhin was commissioned by Lord Thompson for Fleet for Britain's National Portrait Gallery in 1984. Pavelic was awarded the Order of Canada, was a member of the Royal Canadian Academy and held an Honorary Doctorate of Fine Arts from the University of Victoria. She died in Victoria on May 7, 2007. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pavelic, Myfanwy Spencer artist myfanwy pavelic victoria Person An individual. Birth Date 1923 Birthplace Frankfurt, Germany Occupation Author, Photographer Biographical Text A native of Frankfurt, Germany Ulli Steltzer emigrated to the United States in 1953. She taught music in Massachusetts, then worked in a photo lab in New York. She opened a photo studio in Princeton, New Jersey and began photographing migrant workers for the Department of Labor and Industry which lead to other assignments focusing on the rural and urban poor, and assignments for Time magazine. In 1972, she moved to Vancouver and began producing photographic books about Canadian native peoples in the Arctic and B.C., Mayans in Guatemala and new immigrants to California. Her work has been widely exhibited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ulli Steltzer Person An individual. Occupation Artist Biographical Text Donna Balma is an innovative and prolific Canadian artist currently living in the Pacific Northwest Rainforest of B.C., Canada. She has lived half her life in rural and half her life in urban environments in both England and Canada.As an artist, she was a late starter and her work is profoundly affected by nature and her internal visions. Balma is a self-taught visionary mixed media artist whose work has been described as: authentic, original, nave/outsider, singular, primitive, surreal, psycho-realist, classical, cosmic pop, unique. Source: Saatchi Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Balma, Donna https://lifestories.uvic.ca/files/original/bb9a0843c5574ae37cd44d546f0d3720.jpg 48a1d05c711c204b6cb211cc2f444733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Max Bates (Hand Raised) Creator An entity primarily responsible for making the resource Pavelic, Myfanwy Person An individual. Birth Date 14 December 1906 Birthplace Calgary, Alberta, Canada Death Date 14 September 1980 (Victoria, BC) Occupation Artist, Architect Biographical Text Maxwell Bates was born in Calgary on December 14, 1906. He studied under Lars Haukaness at the Provincial Institute of Technology and Art in Calgary, from 1926 to 1927. However, Bates was mainly self taught. He and W. L. Stevenson paired up to study impressionist and post-impressionist painting. They met twice a week to discuss what they learned about French painting. In 1928, Bates' abstracts first appeared. In that year, because their pieces were too modern, Bates and Stevenson were banned from exhibiting with the Calgary Art Club. In 1929, Bates and Stevenson made a trip to the Art Institute of Chicago to study impressionist and post-impressionist paintings, the work of Cezanne, Seurat, Van Gogh, and Monet. In 1931, Bates went to England to study painting and architecture. From 1932 to 1939, he was a member of the "Twenties Group". When World War II broke out, he enlisted with the British Army; he served from 1940 to 1945.He was imprisoned and his book A Wilderness of Days describes his experience. After the War ended, he returned to Calgary for a short time. In 1949 he attended the Brooklyn Museum Art School, until 1950. Bates collected Japanese colour prints. He also developed an interest in the philosophy of art, and wrote a series of articles about it in "Canadian Art" and other periodicals. His drawing was influenced by Michelangelo and Rembrandt, and his painting by Goya, Daumier, J.L. Forain, and post-impressionism. His street scenes, landscapes, still lifes are romantic. He primarily worked with oil, watercolour, chalk, and pen and ink. He also produced lithography. Bates, with A.W. Hodges, co-designed St. Mary's Cathedral in Calgary. He was also a member of the Royal Canadian Academy of Art . He passed away in Victoria in 1980. Bibliography Exhibitions: Maxwell Bates: The Crossroads of Expressionism, February 2004 - June 2006, Edmonton Art Gallery and Art Gallery of Greater Victoria. Maxwell Bennett Bates ~ [1906-1980] Canadian ASA, CGP, CSPWC, RCA see Maxwell Bates, Retrospective Exhibition, by R.Bloore, Norman Mackenzie, 1961; Maxwell Bates, by C.Graham, AGGV, 1966; Maxwell Bates, by F.Eckhardt, WAG, 1968; Maxwell Bates, in Retrospect, by T.Guernsey, VAG, 1973; Maxwell Bates, A Retrospective, by I.Thom, AGGV, 1982; Maxwell Bates: Landscapes 1948-1978, by N.Townshend, Medicine Hat Art Gallery, 1982; Maxwell Bates, Biography of an Artist, by K.Snow, U. of Calgary Press; Maxwell Bates: Canada's Premier Expressionist of the 20th Century, by N.Townshend, 2005; wrote and illustrated A Wilderness of Days, by Maxwell Bates, Sono Nis Press, 1978; biography in Benezit, Tome 1, pg.506. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bates, Maxwell https://lifestories.uvic.ca/files/original/aa6f63d8d65bd41652fd60045c3fb5b7.jpg dcd4210fc804653e0b72d5b1e60ccfdc https://lifestories.uvic.ca/files/original/f5433e12f1224c9785bb23d9e296c0cd.jpg f3ed2a25e63f1febfc3800ee5da992c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Untitled (Funerary Vase) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 35.5 x 16 x 16 cm. Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. China SUNG 960-1279 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. n.d. State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. China SUNG 960-1279 Material The substance of which a work or an image is composed. Porcelain enamel paint and glaze Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Chinese Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Long ribbed neck with grey glaze and curving decroations. Base 2.5cm unglazed Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. QUEENSWOOD > UVAC Storage vault > Wall B > B10 > 150 https://lifestories.uvic.ca/files/original/0fb2ec57bcb7780a4bd850ea1091be00.jpg ac6cf292fe8c1c3bdc58da4219a651ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Untitled (Mosque Bench) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 72.4 x 105 x 41.5 cm. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. n.d. Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Table Material The substance of which a work or an image is composed. Wood Mother-Of-Pearl Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Wooden mosque bench inlayed with 100's of aproximately 1'x1' squares of mother of pearl. Squares are hammered through the centre with a nail. Other shapes are cut to fit areas of the bench which are not straight. Bench has fairly solid. Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > T1 > T1.1 https://lifestories.uvic.ca/files/original/920ab5956f72a25aa880d35967457be2.jpg 34176a5e8a553f61bfa651e2eeb7182e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource <a href="http://lifestories.uvic.ca/items/show/193">Garbe, Richard</a> Title A name given to the resource Untitled (Prayer Book) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 15.5 x 10 x 4 cm. Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Western Modern 1900-1950 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1924 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Western Modern 1900-1950 Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Book Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Bound tooled printed carved inlaid Material The substance of which a work or an image is composed. Leather Ivory Paper Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. English Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. A leather bound raised spine prayer book with carved ivory crucifix and ornamentation inlaid, plain and gold tooling on cover, spine and cover edges. Gilt text block ends. Red and black printed text pages, red ink initial ornamentation. Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > R1 > R1.2 > Box 5 https://lifestories.uvic.ca/files/original/7ae7cd7bc879859436362c4e32f1c204.jpg 2d4851142788808a2e3b2be7ce676b44 https://lifestories.uvic.ca/files/original/fffdc1c9435c5499eb1103163be0534d.jpg 574942792780fcfc56d2e852ca045765 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Unknown Title A name given to the resource Untitled (Majolica Plate) VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 3.5 x 25 x 25 cm. Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. Late 19th C. Material The substance of which a work or an image is composed. Ceramic glaze enamel paint Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Glazed plate with image of praying monk in centre, floral design around edge. Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. QUEENSWOOD > UVAC Storage vault > Wall A > A7 > Box 6 https://lifestories.uvic.ca/files/original/d5a27bd4c0704be3dce4164e0928e30f.jpg 3526a844d66ed4647dc15689b392d3c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Passages Subject The topic of the resource Passages Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Bolognese, Giovanni Title A name given to the resource St. Bartholomeo Praying VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 34 x 27 cm Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. West Renaissance 1420-1600 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1640 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. West Renaissance 1420-1600 Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Painting Watercolour Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Paper Material The substance of which a work or an image is composed. Watercolour Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. St. Bartholemeo at centre facing simple crucifix, hands crossed over chest. Window behind drapery, cityscape visible. Ornate design frames image. Textref Contains the name of a related textual reference and any type of unique identifier that text assigns to a Work or Collection that is independent of any repository. Not Copyrighted (artist deceased 50+ years) Source A reference to the source of the information recorded about the work or the image. Bequest of John and Katharine Maltwood Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. University Centre > Basement > A005 > E6 > E6.2