12 10 145 https://lifestories.uvic.ca/files/original/5f58c3d09db3c555f7922fc4b7fead41.jpg 17d24304256ae7e67fbf90589c30b082 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coming of Age Subject The topic of the resource Coming of Age Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 104 x 78.5 cm Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Western Modern 1900-1950 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. 1972-1975 State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Fine Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Miscellaneous Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Oil Figure Material The substance of which a work or an image is composed. Oil Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. British Columbia Canada Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Painting of a girl lying on a bed with her hair hanging over the end of the bed. Worked in various shades of blues as dominant colour. Source A reference to the source of the information recorded about the work or the image. Gift of Dr. Myfanwy Spencer Pavelic Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. Rights Information about the copyright status and the rights holder for a work, collection, or image Image Permission: Not Copyrighted (artist deceased 50+ years) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Girl In Blue Flowered Nightgown Creator An entity primarily responsible for making the resource Wilkinson, Jack (John Craig Seaton Wilkinson) bed figure girl portrait https://lifestories.uvic.ca/files/original/06922291dd5d230567895528abed352c.jpg 237d0fc79c180c06da8923d2cb29d0eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Childhood Subject The topic of the resource Childhood Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. VRA Core VRA Core standard for artistic pieces and cultural heritage artifacts. The first input will be treated as a <display> element. More detailed VRA Core metadata is available below that input. Measurements The physical size, shape, scale, dimensions, or format of the Work or Image. Dimensions may include such measurements as volume, weight, area or running time. 30 x 37.5 cm Style Period A defined style, historical period, group, school, dynasty, movement, etc. whose characteristics are represented in the Work or Image. Western Modern 1900-1950 Date Date or range of dates associated with the creation, design, production, presentation, performance, construction, or alteration, etc. of the work or image. Dates may be expressed as free text or numerical. In format yyyy-mm-dd yyyy-mm-dd. c. 1950s State Edition The identifying number and/or name assigned to the state or edition of a work that exists in more than one form and the placement of that work in the context of prior or later issuances of multiples of the same work. Fine Art Worktype Identifies the specific type of WORK, COLLECTION, or IMAGE being described in the record. Photograph Technique The production or manufacturing processes, techniques, and methods incorporated in the fabrication or alteration of the work or image. Photograph Material The substance of which a work or an image is composed. Photographic Print on paper Cultural Context The name of the culture, people (ethnonym), or adjectival form of a country name fromwhich a Work, Collection, or Image originates, or the cultural context with which the Work, Collection, or Image has been associated. Kalamantan, Sarawak Indonesia, Malaysia Subject Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations. children, play, family Description A free-text note about the Work, Collection, or Image, including comments, description, or interpretation, that gives additional information not recorded in other categories. Black and white photograph of children at play. One boy is pulling wood sled with two younger children in it, one is pushing at the back. Source A reference to the source of the information recorded about the work or the image. Gift of Colin and Gloria Mary Smith (nee Boroughs) Location The geographic location and/or name of the repository, building, site, or other entity whose boundaries include the Work or Image. MCPHERSON LIBRARY > The Maltwood Prints and Drawings Gallery at McPherson Library Rm027 > CB > S4 > B2 Rights Information about the copyright status and the rights holder for a work, collection, or image Image Permission: Not Copyrighted (artist deceased 50+ years) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Photograph) Creator An entity primarily responsible for making the resource Wong, K. F. child children family Kalamantan Malaysia play Sarawak Indonesia https://lifestories.uvic.ca/files/original/7ef5a0bd5d1b4ff930e587f0a786e24b.jpg f598678e8c66b121b1eaa3714ea67ee3 Person An individual. Birth Date 1916 Birthplace Victoria, BC Death Date 2007 Occupation Artist Biographical Text MYFANWY PAVELIC was born and raised on Vancouver Island. She had little formal art training, but at the age of 15 an exhibition was arranged for her by Canada's foremost West Coast painter, Emily Carr. Pavelic's love of music and talent as a musician attracted her to the career of a concert pianist but when a problem with her wrists barred further development in this field, she turned her creativity to drawing and painting. For several years she spent part of each year in New York. Here she observed the changing climate of the international art world. She experimented with abstract expressionism but finally reaffirmed her commitment to her own evolving figurative style. She has worked in oil and acrylic and has successfully experimented with tissue collage. Charcoal, one of her favourite media, has been used for both prepatory sketches and finished drawings. For most of her career, Pavelic focused on the human figure; she is renowned for her portrait paintings. Local and international personalities have come to her Saanich studio for sittings, from Maxwell Bates and her fellow artists of the Victoria "Limners" group, to former Canadian Prime Minister Pierre Elliott Trudeau. However, the music world remained a constant interest. Its creative personalities provided her with much subject matter for her paintings and sketches. These people included Mstislav Rostropovich, Paul Badura-Skoda, Glenn Gould, Jan Cherniavsky, Zara Nelsova, Ravi Shankar and her close friend, actress Katharine Hepburn. Pavelic's now well-known portrait of Yehudi Menuhin was commissioned by Lord Thompson for Fleet for Britain's National Portrait Gallery in 1984. Pavelic was awarded the Order of Canada, was a member of the Royal Canadian Academy and held an Honorary Doctorate of Fine Arts from the University of Victoria. She died in Victoria on May 7, 2007. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pavelic, Myfanwy Spencer artist myfanwy pavelic victoria Person An individual. Birth Date 1923 Birthplace Frankfurt, Germany Occupation Author, Photographer Biographical Text A native of Frankfurt, Germany Ulli Steltzer emigrated to the United States in 1953. She taught music in Massachusetts, then worked in a photo lab in New York. She opened a photo studio in Princeton, New Jersey and began photographing migrant workers for the Department of Labor and Industry which lead to other assignments focusing on the rural and urban poor, and assignments for Time magazine. In 1972, she moved to Vancouver and began producing photographic books about Canadian native peoples in the Arctic and B.C., Mayans in Guatemala and new immigrants to California. Her work has been widely exhibited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ulli Steltzer Person An individual. Occupation Artist Biographical Text Donna Balma is an innovative and prolific Canadian artist currently living in the Pacific Northwest Rainforest of B.C., Canada. She has lived half her life in rural and half her life in urban environments in both England and Canada.As an artist, she was a late starter and her work is profoundly affected by nature and her internal visions. Balma is a self-taught visionary mixed media artist whose work has been described as: authentic, original, nave/outsider, singular, primitive, surreal, psycho-realist, classical, cosmic pop, unique. Source: Saatchi Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Balma, Donna https://lifestories.uvic.ca/files/original/bb9a0843c5574ae37cd44d546f0d3720.jpg 48a1d05c711c204b6cb211cc2f444733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Max Bates (Hand Raised) Creator An entity primarily responsible for making the resource Pavelic, Myfanwy Person An individual. Birth Date 14 December 1906 Birthplace Calgary, Alberta, Canada Death Date 14 September 1980 (Victoria, BC) Occupation Artist, Architect Biographical Text Maxwell Bates was born in Calgary on December 14, 1906. He studied under Lars Haukaness at the Provincial Institute of Technology and Art in Calgary, from 1926 to 1927. However, Bates was mainly self taught. He and W. L. Stevenson paired up to study impressionist and post-impressionist painting. They met twice a week to discuss what they learned about French painting. In 1928, Bates' abstracts first appeared. In that year, because their pieces were too modern, Bates and Stevenson were banned from exhibiting with the Calgary Art Club. In 1929, Bates and Stevenson made a trip to the Art Institute of Chicago to study impressionist and post-impressionist paintings, the work of Cezanne, Seurat, Van Gogh, and Monet. In 1931, Bates went to England to study painting and architecture. From 1932 to 1939, he was a member of the "Twenties Group". When World War II broke out, he enlisted with the British Army; he served from 1940 to 1945.He was imprisoned and his book A Wilderness of Days describes his experience. After the War ended, he returned to Calgary for a short time. In 1949 he attended the Brooklyn Museum Art School, until 1950. Bates collected Japanese colour prints. He also developed an interest in the philosophy of art, and wrote a series of articles about it in "Canadian Art" and other periodicals. His drawing was influenced by Michelangelo and Rembrandt, and his painting by Goya, Daumier, J.L. Forain, and post-impressionism. His street scenes, landscapes, still lifes are romantic. He primarily worked with oil, watercolour, chalk, and pen and ink. He also produced lithography. Bates, with A.W. Hodges, co-designed St. Mary's Cathedral in Calgary. He was also a member of the Royal Canadian Academy of Art . He passed away in Victoria in 1980. Bibliography Exhibitions: Maxwell Bates: The Crossroads of Expressionism, February 2004 - June 2006, Edmonton Art Gallery and Art Gallery of Greater Victoria. Maxwell Bennett Bates ~ [1906-1980] Canadian ASA, CGP, CSPWC, RCA see Maxwell Bates, Retrospective Exhibition, by R.Bloore, Norman Mackenzie, 1961; Maxwell Bates, by C.Graham, AGGV, 1966; Maxwell Bates, by F.Eckhardt, WAG, 1968; Maxwell Bates, in Retrospect, by T.Guernsey, VAG, 1973; Maxwell Bates, A Retrospective, by I.Thom, AGGV, 1982; Maxwell Bates: Landscapes 1948-1978, by N.Townshend, Medicine Hat Art Gallery, 1982; Maxwell Bates, Biography of an Artist, by K.Snow, U. of Calgary Press; Maxwell Bates: Canada's Premier Expressionist of the 20th Century, by N.Townshend, 2005; wrote and illustrated A Wilderness of Days, by Maxwell Bates, Sono Nis Press, 1978; biography in Benezit, Tome 1, pg.506. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bates, Maxwell Person An individual. Biographical Text <p>Kay Fallows Hargreaves is a UVic Visual Arts alumna (1969) and a B. Ed (UBC 1974). A founding member of the "Studio Group" she worked with Jan Zach and Herbert Siebner. 1981-83 directed the "Fallows School of Fine Art" and taught at Camosun College for 13 years. Her work is also held at the Art Gallery of Greater Victoria where she had a solo exhibition in 1970.</p> <blockquote>In the series “Creation”, it is the paradox, a nervous line that hovers momentarily between micro and macro cosmos, between life and death, between past and present, coupled with choice, those footprints left through time in man’s history, that form the essence of my “colour metaphors”.</blockquote> <span style="float:right;">-- Kay Fallows Hargreaves, 1981</span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hargreaves, Kay Fallows https://lifestories.uvic.ca/files/original/6bb6b3d8ebc758d53d5260e32146fed7.jpg c3e6122016ed0835a8f1bb5216adf212 Person An individual. Birth Date 1920 Death Date April 8, 1989 Biographical Text Windsor Utley was an accomplished American artist, musician, teacher and gallery owner. Born in Laguna, California in 1920, Utley attended Pomona College and the University of Southern California. A classically trained flautist, he moved to the Pacific Northwest in the early 1940s to perform with the Tacoma Symphony in Washington. Utley did not begin painting until he was 19 years old. He was influenced by Mark Tobey and later Kandinsky in New York. He entered and was accepted into the 1944 Annual Exhibition of Northwest Artists at the Seattle Art Museum and later that year won first prize in the Tacoma Watercolor Exhibit. Utley later became the head of the art department at Cornish College of the Arts in Seattle. Windsor Utley has been celebrated as a member of the Northwest School, but lived at times in California, Washington, New York, and Canada. He also spent two years in Italy, living and working in Siena and Florence. He opened Utley's Art Galleries in Seattle in 1966, then in Victoria, British Columbia in the 1970s. He moved the galleries to Laguna Beach, California in 1983 and re-opened them in Seattle in 1987. Windsor Utley died in Seattle on 8 April 1989 aged 69. His work is in many private and public collections including the Seattle Art Museum, British Columbia Provincial Collection, Victoria, Duveen-Graham Gallery, New York, Virginia Museum of Fine Arts, Richmond and the University of Washington. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Utley, Windsor https://lifestories.uvic.ca/files/original/67359a738d413c13bfdefc2a2bf55d53.jpg 648c4c0cd5cc42fbfc3e2dbd9ed33e10 Person An individual. Birth Date 1924 Birthplace Frankfurt, Germany Death Date July 27, 2018 https://vancouversun.com/news/local-news/obituary-ulli-steltzer-photographer-with-a-social-conscience Biographical Text A native of Frankfurt, Germany Ulli Steltzer emigrated to the United States in 1953. She taught music in Massachusetts, then worked in a photo lab in New York. She opened a photo studio in Princeton, New Jersey and began photographing migrant workers for the Department of Labor and Industry which lead to other assignments focusing on the rural and urban poor, and assignments for Time magazine. In 1972, she moved to Vancouver and began producing photographic books about Canadian native peoples in the Arctic and B.C., Mayans in Guatemala and new immigrants to California. Her work has been widely exhibited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Steltzer, Ulli https://lifestories.uvic.ca/files/original/2731a528af835fa96ecb92a17387484a.jpg eb87d6174f3fdc0caa3fcb37c9c7567a Person An individual. Biographical Text Eva Campbell was born in Ghana to a Ghanaian mother and a Barbadian father and spent her childhood in Barbados and Jamaica. She studied painting at the College of Art in Ghana (BA) and the University of Victoria (MFA). Eva has had numerous art exhibitions in Canada, the United States, Ghana, Barbados and Britain. Currently she is the visual arts teacher at Lester B. Pearson College of the Pacific in Victoria, British Columbia, where she enjoys sharing her knowledge with students from around the world. For further information about Eva, visit <a href="http://www.evacampbell.ca">evacampbell.ca</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Campbell, Eva