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              <text>April 16, 1925</text>
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              <text>Stettin, Prussia</text>
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              <text>August 3, 2003 (Victoria, Canada)</text>
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              <text>Herbert Siebner was born in 1925 in Stettin, Germany. He trained at the Atelier Richter in Stettin and at the Berlin Academy. In 1954 he moved to Canada. Siebner's works follow in the tradition of the German Expressionists with whom he studied and his artistic practice has largely focused on the shape and form of the human figure.&#13;
&#13;
Siebner has held teaching appointments at the Universities of Washington, British Columbia, Alberta, and Victoria and been featured in over 100 solo exhibitions in Europe and North America. His paintings, murals, and prints are represented in museums and collections worldwide. Siebner has also been the recipient of an extensive list of awards such as the Reid Award for Graphics in 1956 from the Canadian Society of Painters, Etchers and Engravers and the BC Sculpture Award in 1957. He is a member of the Royal Canadian Academy of the Arts and a founding member of the Limners Siebner was a founding member of the Limners, a group of Victoria artists that came together to support, exhibit, and discuss their works. His works are found in permanent collections in Berlin, Seattle and Canada.</text>
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                <text>Siebner, Herbert Johannes Joseph RCA </text>
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                <text>Dann, B.</text>
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              <text>1946</text>
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              <text>Glenn Howarth was born in 1946 in Vegreville Alberta. He completed his Bachelor of Fine Arts at the University of Victoria in 1970. Following graduation he worked as an art critic, initially for the Montreal Star and in 1971 for the Victoria Daily Times. Howarth began to paint full-time in 1973 after a period of study and work in Europe. Howarth became a member of the Royal Canadian Academy of Arts in 1978. In the early 1980s, he became interested in the use of computer generated art and by 1983, he was so well renowned in the field that he was chosen as Canadian Commissioner at the XVII Sao Paolo Biennale and had his works shown along with three other Canadian computer artists.&#13;
&#13;
Howarth taught extensively across Canada and until recently he was an instructor at the Victoria College of Art and Design. Howarth's work is represented in such collections as the Art Gallery of Greater Victoria, the Vancouver Art Gallery, the Glenbow Museum, the Canadian Broadcasting Corporation, and the University of Victoria Art Collections.&#13;
&#13;
In the final decade of his life Howarth painted scenes of BC, tondos filled with friends and acquaintances and large scenes of nudes in the landscape.</text>
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              <text>16--?</text>
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                <text>Bolognese, Giovanni</text>
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              <text>October 26, 1876</text>
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              <text>Royal Academician, Sculptor&#13;
&#13;
Nationality: British&#13;
RA Schools student from 30 July 1901 to July 1904&#13;
&#13;
Elected ARA: 25 April 1929&#13;
Elected RA: 23 April 1936&#13;
Elected Senior RA: 1 January 1952&#13;
&#13;
Preferred media: Sculpture</text>
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              <text>&lt;p&gt;Heather Cragg was an aspiring young artist who died tragically at the age of 27.  A graduate from the University of Oxford with First Class distinction, her work is included in collections in Canada, Britain and the United States.&lt;/p&gt;&#13;
&#13;
&lt;p&gt;Two years after her death, the Maltwood Gallery at the University of Victoria put on a retrospective show of Heather's prints, drawings and paintings.  The interest which this show generated in Heather's work allowed the memorial scholarship, set up in 1981 by Heather's parents Dr. and Mrs. B. E. Cragg, to be increased: prints, drawings and water colours by Heather were displayed at the University Bookstore and the proceeds went into the fund. &lt;/p&gt;&#13;
&#13;
&lt;p&gt;[adapted from the catalogue for the Maltwood exhibit, written by Martin Segger.]&lt;/p&gt;</text>
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              <text>Richard Hunt was born in Alert Bay, British Columbia in 1951 but has lived most of his life in Victoria, where he completed his high school education. He began carving with his father, the late Henry Hunt, at the age of thirteen. In 1973, Richard began work at the Royal British Columbia Museum as an apprentice carver under his father. The following year he assumed the duties of chief carver in the Thunderbird Park Carving Program. He remained in the museum in that capacity for twelve years. In 1986, Mr. Hunt resigned to begin a new career as a freelance artist. He comes form a family of internationally respected artists, which include his father Henry Hunt and his grandfather Mungo Martin.&#13;
&#13;
In 1991, Richard Hunt received the Order of British Columbia "in recognition of serving with the greatest distinction and excellence in a field of endeavor benefiting the people of the Province of British Columbia and elsewhere." This prestigious award program was established in 1990. Richard is the first native artist to be so recognized. In 1994, Richard received the most prestigious award of his career, The Order of Canada. "The Order was established in 1967 as a means of recognizing outstanding achievement, honouring those who have given services to Canada, to their fellow citizens or to humanity at large."&#13;
&#13;
Richard Hunt's name is highly appropriate, considering his accomplishments. Gwe-la-yo-gwe-la-gya- lis means "a man that travels and wherever he goes, he potlatches." Through his art, his speaking and his dancing, Mr. Hunt has indeed given much to the world.*&#13;
&#13;
He is a member of the Royal Canadian Academy of Arts and has also received an honorary doctorate from the University of Victoria.&#13;
&#13;
*Cited from www.pacificeditions.ca&#13;
&#13;
* Richard Hunt prefers the term Kwaguilth to Kwakwaka'wakw</text>
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              <text>1951</text>
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              <text>October 10, 1957</text>
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              <text>Born in Victoria in 1957, Joe began signing his artwork as Joe Average when he was 19 years old. His pop-art has captured the attention of international art critics, royalty, celebrities, and the public. His work is a visionary kaleidoscope of colour, creativity and compassion.&#13;
&#13;
Living with HIV for the past 20 years, the self taught Joe Average has earned international recognition as an advocate for AIDS, an artist, and a noted philanthropist. His art was featured on a 1996 Canadian Stamp which was also the conference image for the 1996 XI International Conference on AIDS.&#13;
&#13;
In 1998 Joe was recognized by the Governor General of Canada with the Caring Canadian Award. The City of Vancouver bestowed him with a Civic Merit Award in 1994. He was the recipient of a 1993 Jessie Award, and has been officially presented to Prince Charles and the late Princess Diana at Rideau Hall. Other honours include, The Canadian Institute of the Arts for Young Audiences Award, Xtra West Magazine’s Heroes of 1996 Award, and in 1997 the Friends for Life Society honored him with the Friend In Deed Award. Joe most recently won the Davie Street Banner Competition.&#13;
&#13;
Source: Van Dop Gallery http://vandopgallery.com/joe-average/</text>
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              <text>Image: Jason Hargrove, CC 2.0</text>
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              <text>E.S.B
E S Barnsley &amp;amp; Co Ltd. was a silversmithing company active at Frederick Street, Birmingham from 1895 till 1921. Founder  Edward Souter Barnsley registered his mark in 1887, 1908 and 1913.
Source: &lt;a href="http://www.silvercollection.it/englishsilvermarksXESSS.html"&gt;Hallmarks of English Silver&lt;/a&gt;
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              <text>1866</text>
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              <text>&lt;p&gt;Ernest Borough-Johnson, the youngest of the three principal artists involved in the collaborative illustration of Tess of the D'Urbervilles, was born in December 1866, in Shropshire. Resident in Basingstoke after his time as a pupil at Bushey, Johnson (Graves gives the spelling "Johnston") was a country man suited by experience and temperament to his task here.&lt;/p&gt;

&lt;p&gt;Between 1887 and 1892 he exhibited twelve paintings, eight at the Royal Academy, including Her Daily Bread (1887), Winchelsea, From Winchelsea, and Motherless (1889), Study of a Head, and Spring Blossom (1890). His most successful literary illustration was that of Henry Wadsworth Longfellow's Evangeline kissing the "dying lips" of her lover Gabriel. While Graves gives Borough-Johnson's specialty as "Domestic" in his 1895 Dictionary, in his 1905 Royal Academy of the Arts Dictionary Graves emphasizes Johnson's work as a landscape and genre painter. Bénézit notes Johnson's work as a lithographer, and mentions that this artist's productions have been on display at the Royal Society of Portrait Painters and the Royal Institute of Painters in Watercolours. In short, Ernest Borough-Johnson enjoyed a career that was at least the equal of Daniel Wehrschmidt's, although neither artist made the mark in the annals of nineteenth-century painting that Hubert Herkomer did, and no critic notes their work as illustrators.&lt;/p&gt;

&lt;p&gt;That the Professor assigned Johnson six plates to Syddall's five suggests their chief's greater confidence in an artist who had demonstrated a greater pictorial acumen over the five years preceding the collaborative project. In The Graphic Johnson tends to adopt the style of illustration established by Herkomer, and some of his plates approach the quality of the master's. Further, the dimensions of Johnson's plates suggest that both Herkomer and Locker were pleased with his work, for only one of his plates, the meditative but rather undramatic vision of Tess lying on the grass (September 19th) is of the half-page format. In total, Johnson's plates occupy five-and-a-half pages of the magazine, only one page less than Wehrschmidt's eight plates. Perhaps the rank-ordering of Herkomer's esteem for his pupils' work is traceable in the order in which he had them follow his opening illustration: Wehrschmidt (July 18), Johnson (July 25), then Syddall (August 1 and 8). &lt;/p&gt;

&lt;p&gt;Source: &lt;a href="http://www.victorianweb.org/art/illustration/bjohnson/bio.html"&gt;The Victorian Web&lt;/a&gt;&lt;/p&gt;</text>
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